Self Publishing Printing

Can You Afford To Publish Your Book?
Money blinds. It's as simple as that. Aspiring authors ask about the money issue all the time, in varying forms, (How much does it cost to publish? How much will I get paid in royalties?, etc.) but they can't see beyond that issue to think about the thing that will truly decide the money question. And here it is:

What Do You Want From Your Book?

That is the real question! Once you are clear about what you want out of the publishing process, you can decide what route would be the most satisfying--and profitable--for you. When it comes right down it it, you can spend as much or as little as you want on your book. But how much are you willing to spend to get what you want?

When you aren't clear, you can make poor decisions that won't line up with your goals. For instance, many authors have a goal of making a lot of money, but they won't consider self publishing. The fact is that unless you can immediately sell on the level of an Oprah's Book Club selection or a James Patterson or a Dan Brown, it's going to take a very long time before your royalties add up to much. When you self publish you take on risk, but you stand to gain much more because you get to keep all the profits (unless your agreement with the publishing company you use is a royalties-based one).

Another strong reason to self publish: you can use your first book to build your platform for a bigger deal with a traditional publishing house in the future. Again, you can choose the self publishing deal that's right for you. A print on demand company such as Xlibris charges just $500 for a basic package where you can get your book produced and copies made as they are ordered--so no inventory. Of course, when you pay more, you get more: better design, distribution services, maybe even some marketing help.

The Traditional Road

If your dreams of authorship include larger audiences and the literary status that comes of being published by one of the many arms of Random House, Warner or Simon & Schuster, that's fine--just know that this route isn't exactly free either. No, you don't have to pay a traditional publishing house and yes, they do everything for you (design, distribution, some advertising and marketing), but these days a writer is expected to spend a little too on promoting the book. Many writers are even putting the amount they've set aside in their book proposals. If you're serious about marketing your book, you'll need to set aside at least $10,000. That amount can go as high as $30,000 depending on the amount of travel and other advertising you intend to use.

Smart Money, Dumb Money

Once you understand what you want out of your book, you'll not only know how much you're willing to spend, you'll also know better how to spend it. You can spend it smart or you can spend it dumb. Many writers spend it dumbly because they don't know what they want. If you're spending money on educating yourself about publishing, improving your writing skills, hiring a good editor or book consultant, and marketing that will help you reach your specific, targeted reader, that's all smart money. You will get more out of those dollars than if you had never spent it at all. You are investing in your writing career.

But if you spend money because someone told you this is "the only way you'll ever get this book published" (and you haven't researched any other ways), or buy advertising simply because it's where other books are advertised, or go to writer's conferences with no clear plan of what you want out of them, or pay agents "reader fees", or pay editors whose work you don't know or whose references you haven't checked, that's dumb money. You'll put those dollars out there and see little or no return.

So I guess the bad news is publishing isn't free. The good news is you have a choice as to how much you spend and where you spend it. Be an educated consumer as well as an educated--and talented--writer. You'll find that to have a book published in the way you want it published is still in the end--priceless.


? 2005 Sophfronia Scott

Author and Writing Coach Sophfronia Scott is "The Book Sistah" TM. Get her FREE REPORT, "The 5 Big Mistakes Most Writers Make When Trying to Get Published" and her FREE online writing and publishing tips at <a href="http://www.TheBookSistah.com">http://www.TheBookSistah.com</a>

Instant Article Wizard
Have you ever found yourself writing an article on a subject that you know less about then you're expected to? Or you just need that one final phase that sews up the whole theme, or your standing in front of 250 words when you need 750, or your missing huge chunks of content. And for those who write to generate (some or all of) there income, this can be a big problem, Have you ever wondered if software could simplify your writing projects, well it can, and for me it does, you'll find it easy to create powerful content rich articles rapidly, without stress. The value of an article is based upon it's content and the better the content, the better the perceived value of it's author. If you're a professional or an aspiring freelance writer Instant Article Wizard can help you to make more money in less time than you ever thought possible.

I have many passions in life, my family, la France, I'm American, and have lived in France for 19 years. It's strange when I speak to an American now sometimes I have to think in french to find my english vocabulary

Self-Publish Your Book With National Distribution
Many writers struggle with constant rejection from the publishing world. A rejection, though a part of the industry, is difficult for writers at any stage in their career. You pour your heart and soul into a book, along with hours of work, only to hear a publisher indicate that it isn?t what they are looking for at this particular time. Many books that were otherwise snubbed by traditional publishing houses have gone on to be very popular. How? It?s simple. Self-publishing is an avenue that many new, or rejected, writers pursue.

When you hear self-publishing, perhaps you think about writing a book and taking it to a printer, paying for copies and doing all of the footwork to get your new work listed with major bookstores. But, thanks to the internet and an innovative new approach to publishing, that?s no longer the case. Sure, you still have to pen the book yourself but leave the printing up to someone else. A growing number of POD (print on demand) publishers are stepping up in search of the next bestseller. Print on demand is a term used to describe a publisher who handles all of the printing aspects, but on an as-needed basis.

The best self-publishing companies offer a variety of programs with the majority of them handling the issuance of an ISBN number and getting your book cataloged with all of the major online bookstores, including Amazon, Barnes & Noble, Books-A-Million, etc. In addition, when a book is issued an ISBN number, it can be ordered at any bookstore. Your book may or may not be physically stocked at your local shopping mall, but the bookstore inside will have the capability to order it as requested. As your new title is listed nationally with every major bookstore?s catalog, it will steadily surface globally as well. A year after your book is released; don?t be surprised if search engine results show that it is listed with major online bookstores across the world, including Japan, United Kingdom, Canada, Australia, Germany, etc.

With print on demand publishing, or self-publishing, you will have to pay a fee to get your book in print. Longtime publisher iUniverse (http://www.iUniverse.com) offers publishing packages starting at $499.00 and up. In exchange for the startup fee, the company issues a printed version of the book while the author retains all electronic rights to the work and a 3-year contract with a 1-year automatic renewal. A generous 20% royalty is offered on the sale of every book with quarterly statements mailed to the author.

If you have been turned away by traditional publishers, or simply want to retain full control over your book, it?s cover design and content, self-publishing may be the way to go. If you have never been published, it is difficult to find a traditional publisher. With self-publishing, you will have documentation of your previously published work and royalty statements to show its success. Once your book is published, get out there and promote your work. It?s the best way to take your career from new to permanent status.

Daphne is a Writer, Business Owner, Motivator and Self-Starter and full-time Mom. She started Passion Parties by Daphne in the Summer of 2005 as a hobby while working full time. It has since become a full time passion for her and hope to quit her full time job soon. She enjoys writing articles about small businesses and family and tries to motivate other women with the same desire. She can be reached at 1-877-TOY-DIVA <a href="http://www.daphnespassion.com" title="http://www.daphnespassion.com" target="_blank">http://www.daphnespassion.com</a>

Digital Poster Printing for Growing Business
With the modern complexities of life now days, it is but important to be abreast with the latest and the more effective ways of advertising and promoting your services and products to let your business grow and be wide known popular. That is why poster digital printing is recommended for a sure win advertisement for your growing business. It can be noticed that in poster digital printing the pictures, images and illustrations are clearer and sharper because of the modern way of doing it. Even the smallest detail in the poster could be understood by its viewer. Large format printing from your digital files, photo enlargement from your own slides and negatives are just some of our latest innovation to attain that effectual poster digital printing for your growing business. Poster digital printing is recommended for growing business that wants to be more known by its target customers, for their digital poster will already build good impression for their company. For the demand in continuous innovation of poster digital printing, commercial printing companies specially those that specialize in poster printing made sure that they are powered by creative team and skillful workers that conceptualizes and prints the digital posters for your growing business. Here are some of the choices in poster digital printing that you can choose from to have your goal attained for your growing business. We are offering pigment based inks for large format printing and glossy paper for heavy weight materials. Since it is not good to look at it on a matte paper for the density of black ink on it is not very high. Also, dye based inks for large printing is recommended for prints will be clearer and sharper with the use of glossy paper again. That is why if you want to have the advantages in poster printing, then it is the right time for you to try on poster digital printing afterwards access its results in your growing business. Our poster digital printing has an improved resolution that would impress your target clients and eventually would stop at your business. After all, that is the primary purpose of your poster to attract customers for your business to grow even more. It is true that poster digital printing costs a bit higher than the conventional posters that we have yet are we going to sacrifice the good quality that would ultimately draw-in customers for your growing business. More often quality really matters for it will be the first focus of the interested clients since just after the accepted invitation of the prospect clients would made their decision to go with the business or not. After all, if you will have poster digital printing it is guaranteed that your expenses will be given back to you by the customers that were hooked up and it can even be higher than that. Competitive price for your poster digital printing is what we’re offering and satisfaction guaranteed for your money spent will be regain.

With the modern complexities of life now days, it is but important to be abreast with the latest and the more effective ways of advertising and promoting your services and products to let your business grow and be wide known popular. That is why poster digital printing is recommended for a sure win advertisement for your growing business.

Successful Self Publishing-February 2007
Successful Self-Publishing
Issue 2: February, 2007


Inside this issue:
How to get your book into stores.
Pitching your book to retail bookstores and chains can be a time consuming and frustrating process. In this issue, we help prepare you for increased chances of success. Read more.

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How to get your Book into Stores

Getting your book successfully onto the shelves of a bookstore is easier said than done. Major bookstore chains are notoriously difficult to win over. Even smaller bookstores, where your chances of reaching the person with the purchase authority are more likely â€" are still very choosy and cautious. Especially when presented with new books from unknown authors.

Without the representation and backing of a major publishing house, you will be entirely responsible for every aspect of this process. Promoting your book to stores is not complicated. But it can be a long and disheartening process that requires persistence, staying power, determination, conviction and total
belief in the ‘great read’ quality of your work.


Identify your targets
The key to successfully selling into a bookstore is to start small. Identify and target smaller local bookstores and boutique stores specific to the topic of your book. Aim to saturate your entire local market place. Having a measure of regional success will also help in convincing larger chain stores that your book is a worthwhile commercial product, suitable for a national and even an international marketplace.


Develop and prepare your pitch
Initiating contact and approaching bookstore buyers in the right way is essential. Sending an initial ‘sales package’ followed up by a polite phone call, is probably the most effective platform for getting your foot in the proverbial door. The package should be based on a carefully developed sales letter, accompanied by a complimentary copy of your book.

By sending a package through the post, you are allowing the bookstore buyer time to absorb and consider your book and proposal. When you call a week later, you are then ‘warm calling’ rather than cold calling â€" as they have already had initial contact from you. They are a lot more likely to be receptive and interested. Getting your sales letter right is vital. Keep it at two pages maximum, and ensure it contains all the following core points:

* Introduction: introduce yourself and your book, and state that your reason for contact is to enquire as to their potential interest in purchasing your book
for stock.
* Book summary: a short (one paragraph) summary of the core plot of the book
* Book commercial impact: state who would want to read your book (target audience) and why (USP)
* Your credibility: clarify any background and experience you have in writing, or your specific experience and authority in the subject matter.
* Pricing proposal: put forward your proposal for the retail price of the book, and bookstore commission or preference for outright purchase.
* Business development: state that you are engaging in a comprehensive marketing programme for promotion of the book, and that the marketing plan is available for them to review.
* Guarantee: state that you will offer a full refund for books purchased outright, that do not sell within a specified timeframe (8-10 weeks)

Know what the bookstores want
Referencing to your marketing plan within the sales letter is important. It indicates your proactive and professional business approach to the sale of your book. Bookstores will want to know what you are actively doing to promote your book. They do not like to sit on dead inventory. If they feel confident that any books they buy from you can be promoted and sold through marketing and promotional activity directly driven by you â€" they are more likely to purchase.

Create strong relationships
The founding principle behind successfully selling anything is by establishing genuine and positive human connections. Taking the time to initiate and
cultivate lasting relationships with bookstore owners and buyers will dramatically increase your chances of getting your book on their shelves.

Even if initially, they feel your work is not right, by presenting yourself as a professional and credible author and self publisher â€" they are significantly more likely to be open to being pitched on any subsequent projects you may develop. Even if they do say no the first time, keep the relationship open and positive. Send a short follow-up email or letter thanking them for their time regardless. It could pay dividends in the future.

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This article has been written by Terence Tam, CEO of Book Pal, a self publishing and book printing company based in Brisbane, Australia. Terence is a self publisher himself and is a keen supporter of experienced and budding self publishers. He also specialises in print on demand books. Terence can be contacted at terence@bookpal.com.au . Also, please visit http://www.bookpal.com.au

Write a Non-Fiction Book First to Sell More Than You Ever Dreamed!
Why do people buy non-fiction books? Most readers buy books to solve problems or help with fulfilling a need. For example, when I started speaking for a fee I went out and bought a couple of popular books about speaking. Browsing in the bookstore, I was attracted to Lilyan Wilder's book "7 Steps to Fearless Speaking" I read the back cover. I noticed she could help with 7 easy steps. I skimmed the table of contents, read a few lines and immediately liked her easy to read style. It went in my purchase basket. Because I wanted to hear from several authorities on the subject, I picked up another book by Nido R. Qubein, "How to Be a Great Communicator: In Person on Paper, and on the Podium." His cover design was white with clean lines and a personable picture of him on the front. His style of writing was not as easy to read but it still went in my purchase basket as well. Which brings us back to my original point; people buy non-fiction books to solve problems. To identify your targeted market, pinpoint a problem they have and the solution of course. Problems come in all shapes and sizes. Usually a general category problem applies to all types of markets. • Hobbies. Is your tennis game, golf game, bridge game as good as you'd like? Are you considering taking up horse-back riding? Want to improve your computer skills? What ever the case may be, your desire to improve or change your level of performance is considered the problem. • Health. The first thing you do when your doctor diagnose your cholesterol is high and you need to lose 20 pounds. You go look for a book that will walk you through step by step to lose weight or lower cholesterol. You turn to someone that has solved the problem to learn from their experience. • Mental State. Are you feeling stressful about the economy? Are you noticing unexplained physical symptoms possibly related to stress? Once again, you have a problem and you are looking for a solution in book form. Someone who has outlined easy steps or ways to de-stress in our society. • Personal Finance. Worried about lay-offs, down-sizing, retirement? Books that offer financial solutions to economic problems during shaky times are guaranteed to succeed. • Marketing. We live in a competitive society. Small business owners and managers everywhere need a growing database of customers and clients. Therefore, they seek out how to books that offers solutions on improving their advertising copy, improving their business image or their website. Each of the problem categories describes a problem and a need for a solution. The main goal of your marketing plan is to identify the problem your book solves and then present the solution. The more intense the problem and the easier you can make your solution, the more readers will seek out your book. Your task becomes to re-structure your knowledge into bite-size reader solutions. Appeal to the masses, by letting them know what's in it for them and how easy the solution is with your book. For example, let's consider the book title I mentioned earlier about speaking. The title could have been: "How to Overcome Your Fear of Speaking" instead of "7 Steps to Fearless Speaking" The latter is more appealing because it alludes to only 7 steps to my solution. Don’t put it off any longer. If you wait, you can be this time next year without fulfilling your dream of writing a successful book. You have the solution. Now write it down. While you're at use the tips above and write a book that sells well. Make it different. Make it count. Make it yours. ==================

© Earma Brown, 11 year author helps small business owners and writers who want to write their best book now! Send any blank email to iscribe@writetowin.org for free mini-course 'Jumpstart Writing Your Book' or visit <a href="http://www.writetowin.org">Write a Book</a> for more book writing tips.

Looking to Sell Your Book for a Good Price?
Looking to Sell Your Book for a Good Price?
Marshall Masters

Many self-publishing authors plan on eventually selling their
book to a large publisher at a good price. The fast track way to
achieve this goal is to push up the market value of a book with a
push v. pull strategy. This article shows you how to do exactly
that, using a simple Internet strategy that any self-publisher
can afford.

PUSH v. PULL EXPLAINED

Books with push like Harry Potter push customers through the
doors, and the registers go kachink, kachink. With self-
published titles, booksellers must pull customers through the
door and that costs money. Put yourself in their shoes. Giving
preference to books with built-in push makes sense.

Remember this formula: push stacks chips on your side of the
bargaining table and pull sweeps them away. With a transferable
Internet presence strategy, you can stack chips to the ceiling
just like the big boys do.

WHAT THE BIG BOYS ARE DOING

The push is on with major publishers to build market value for
their intellectual properties with the Digital Object Identifier
(DOI) system.

A DOI is a permanent Internet address for your book. No matter
how many times ownership of a book changes hands, the DOI
Internet address is permanently bound to the book, just as
tightly as the binding. This is why hundreds of big publishers
have registered over 16 million intellectual properties with the
DOI system with millions more on the way.

Who fueled the creation of the DOI system? Computer experts?
No. From a market asset valuation standpoint, that makes as much
as sense as going to a Sushi Chef for a vasectomy. (Better idea
- get the Sushi afterwards!)

Rather, it was senior publishing executives and their financial
gurus who pushed for the creation of the DOI system. When you
sit down at the bargaining table with a DOI, you'll be talking
their language.

PLAYING WITH THE BIG BOYS

The Internet is like an elephant, it remembers everything and it
can remember a lot! You can always include your email address or
your web site address but these things point to a business
identity - not the work, itself.

Use the same DOI on every web page, ezine article, review, blog
post, etc. and it becomes a 24/7 market value builder that
follows the work. If something changes, like your email or web
site address, one simple update is all it takes. No more
annoying "page not found" or "no such e-mail recipient" errors.

Use your DOI the right way, and every little stitch of web
presence marketing you've done becomes one more chip on
bargaining table. Remember, the big guys speak DOI.

DOI BENEFITS ARE IMMEDIATE

Getting good book reviews is so miserably hard these days,
especially for self-published authors. What if your book finally
gets that fabulous review you've hoped for long after
publication? Will it be orphaned from the book marketing
information you've already published on the Internet? No.

One quick update of your DOI and everything that it references on
the Internet will immediately begin broadcasting your fabulous
review to the online world.

START ADDING MARKET VALUE TODAY

Each day, try to add more market value to your book. A blog post
here, an ezine article there. These things cost nothing, and yet
they can push huge amounts of sales-generating traffic at your
book.

As a self-published author, you've got to keep your eyes on what
the big guys are doing, and when you can emulate them on the
cheap, you do it!

WHEN TO GET YOUR DOI

The best time to register your DOI is after your books are
available for purchase on Amazon.com and other online bookseller
sites. This way, you can create menu options in your DOI that
link to online bookseller pages for immediate sales results.

Be sure to ask your publisher or vanity press if they offer a DOI
service. One that does is Your Own World Books (Yowbooks.com).
Their Author Advantage program includes a transferable DOI.

If your publisher does not offer a DOI service, that's OK. As
the copyright holder, you can register your DOI with an
independent DOI hosting service like DOIeasylink.NET. The annual
cost of a DOI is comparable to one-month web site hosting fee.
Plus, you get a 1-page Internet response page and descriptive
menus with multiple Internet links.

USE A DOI TO HIT CRITICAL MASS

If you remember only one thing from this article, let it be this.
Think like the big boys. Use this strategy to add more market
value by continually broadcasting information on the Internet
with your DOI. Eventually, you'll hit critical mass. People
will buy your book, and large publishers will see this and be
impressed!

DOIeasylink.NET: We Add Value to Your Book Learn More: http://doieasylink.net http://dx.doi.org/10.2122/doieasylink Marshall Masters, President http://dx.doi.org/10.1572/marshall.masters Marshall Masters is a publisher, self-published author, radio personality and Internet technologist. His published titles include Godschild Covenant: Return of Nibiru, Gold Fever, Indigo- E.T. Connection, and Orange Blossom. He founded DOIeasylink.NET to make the DOI system available to self-publishers and small presses. Drawing upon his decades of consulting experience with notable firms such as AT&T, Oracle, HP, Lockheed and Sun Microsystems, he created a simple, affordable DOI solution self- publishers and small presses.

Immortalize The Voice Of A Loved One. Hire A Ghostwriter.
Free the story trapped in a format indecipherable by most. Have the script rewritten into a manuscript, ready for self-publishing and self-promoting.

Imagine you’ve inherited the rights to a screenplay. You wouldn’t be alone. In fact, it’s trending -- understandable since forty thousand plus screenplays were written per year for the last twenty-five years. It was only a matter of time before they were resuscitated as last bequeaths.

Your imaginary benefactor’s eulogy glorified the dedication, the passion and the sacrifice with which words were capture to the page. Words, which in a unique style, voiced muses, meanderings and observations on life. Words which were this aspiring playwright’s most valued possession. Words which, for whatever reason, you now own!

Every writer has experienced the curse of an untold story. Haunted by one’s own ideas is aggravating enough. But to be reminded of a legacy-in-waiting at every family function is insufferable. What were once whispers of time ill-spent, have gossiped into a responsibility to the family name. ‘It’s a shame to think that the only credits her work earned were in her will’ will shadow you when all you want is more potato salad.

Whichever befits your character, a stoic answer to the call of duty or a dramatic capitulation with arms in the air, be prepared for the onset of reality. Your pen has just written promises it can’t keep. If you’re a writer, time is already rationed amongst personal projects. On the other hand, if you’re ‘narrative challenged’ (as she was) the task is a bit more foreboding.

So . . . who ‘ya gonna call? Ghostwriters!

Don’t dismiss the idea too fast. Appreciate that ghostwriting has been a guiltless yet respectable option for centuries. For as long as there have been speeches, memoirs or sequels, writing has been outsourced. The cultural handiwork of ghosts has not been limited to literature. Music and painting have a history of contributions by ghosts as well.

Does it honestly matter that ‘co-authored by’ or ‘as told to’ appears on the jacket, as long as the story is engaging? Odds are the book is better on account of it.

At the next visit to your favorite online bookstore, make a point to browse the memoirs. Much of the work has been penned on the condition of anonymity. Ask yourself these questions: ‘Do you really think as many were self-written as claimed?’ ‘Is it reasonable to assume that celebrities and sports figures whose success resulted from a lifetime of practice, were suddenly as equally adept at being proficient authors?’ Picking up a scalpel would be beyond belief, so why isn’t a pen?

In the publishing and film industries, ghostwriting is ubiquitous. The Development Editor identifies extensive revisions necessary to make a manuscript marketable. On a larger scale, teams of unnamed professional writers do the same to major Hollywood releases. A script reversed from the finished production would rarely resemble the original.

Don’t let partial notions prevent further consideration of ghostwriting when you cannot do it yourself. If a qualified writer can be found at an acceptable price, is it not worth it to break the curse and free the story?

Assuming the decision to proceed, the next step is to find one. Rather than searching ‘ghostwriter’, post the writing project on a freelance database. The first approach will list services charging $10K to $30K and the project will have to fit into their schedule. The second will return multiple bids ranging from $500 to $1000 from an international wealth of eager writers.

At these rates, your scribe will be scrambling. Consequently, even the most efficient writing can hide serious problems between the lines. It may be bland without inspiration. Characters may be stereotypical or weakly drawn. Backstory and exposition may be information dumps disrupting story flow. The style may be rift with distractions causing the reader to disengage. The potential for flaws is considerable. Therefore, expect to dedicate some time for editorial review. Lean on friends and family to critique it as if it were your own. Use a standardized critique from writing sites or an editorial filtering service.

Before posting a project description, understand the differences between a screenplay and a manuscript. Any screenplay, even one nominated by the Academy is not publishable as a novel. Few people would purchase a copy of a screenplay for a good read.

Other than the directing instructions, the story content of a screenplay is essentially a subset of a manuscript. Both have a hook, characters, dialogue, a problem, a goal, conflicts, a climax, character growth and an ending. In addition to this, the manuscript has narratives which elaborate on the setting, the backstory, the characterization, the action and the emotional depth. Without these, a screenplay is mostly dialogue. In a manuscript, dialogue typically comprises 40% to 60% of content.

Therefore, the project is basically to approach the dialogue of the screenplay like the plotting or the skeleton of the story. To this, narratives consisting of the missing elements are fleshed or layered in.

The project description also has evaluation and promotional components. It is appropriate to request a sample chapter on spec, as well as, a pitch, a synopsis, and a logline.

As the bids trickle in, the evaluation process resembles the role of an H.R. dept. Desirable skill-sets include the abilities to:

- make the author’s words jump off the page in their original voice and style rather than what they personally publish;
- experience and interest in the subject matter;
- package the concept so that an agent can sell it;
- proofread and polish their own work;
- collaborate;
- research;
and of course,
- write.

The ability to negotiate will depend totally on the number of the bids. Concerning quality, there are no guarantees at any price. One tactic, however, can hedge your investment. Try to negotiate a progressive payment agreement. Request to have performance advances released upon remittance of predetermined chapters/pages. If the writing does not meet expectations at pre-established milestones, no commitment to continue will exist.

A second tactic to enhance the caliber of writing is to fully disclose collaboration with the term ‘co-author’. With the ghost’s name on the jacket, more effort will probably be invested. The glory or celebrity given up in exchange is fleeting anyway.

Finally, offer splitting any proceeds 50/50. Few experienced writers will accept projects on spec. If a talented novice does, it may motivate writing as if it were for a bestseller.

The services of a ghostwriter is worth considering whenever a story is trapped in a screenplay and either time or ability is scarce. If the screenplay is your own, don’t leave it until the reading of your own will. Forget about naming beneficiaries because of interest once expressed in your writing. They’re family. They were just being polite. Do it yourself while you’re alive. Let them enjoy the potato salad!

Matthew Evans hosts www.changingmediums.com, a resource for playwrights interested in developing their screenplay further into a manuscript for the purposes of self publishing as a novel. Ghostwriting and freelance databases are examples of the topics discussed in more detail. Matthew reads for the editorial filtering service www.4gatekeepers.com. Copyright 2006

One Author’s Solution For Publishing Creative Writing Output
It has never been easy to have your creative writing output accepted by traditional publishing houses. Witness these famous masters of fiction who were all obliged to take the route of shelling out hard cash to have their debut novels printed. Alexandre Dumas D.H. Lawrence Edgar Allan Poe Edgar Rice Burroughs George Bernard Shaw Gertrude Stein James Joyce John Grisham Mark Twain Mary Baker Eddy Rudyard Kipling Stephen Crane Upton Sinclair Virginia Woolf Walt Whitman William Blake Zane Grey John Grisham, incidentally, sold copies of his first novel “A Time to Killâ€� out of the boot of a car which at the outset was his sole 'vehicle' for distribution… And it is getting tougher all the time â€" even for established authors. It can be doubly frustrating when you’ve written something that you are desperate to see in print; something you want other people to read. There is always recourse to the expensive vanity publishing houses but I wouldn’t take that route come what may. Would you? Imagine my surprise then when I stumbled across the perfect solution for publishing creative output that you cannot place elsewhere. I have a string of traditionally published titles currently selling in bookstores world wide but I have an almost equal string that I have never been able to get into print. That is until now… The little known but highly reputable POD (print on demand) source I have discovered requires an initial membership fee that covers UNLIMITED titles â€" perfect bound with ISBN and free shipping to customers In a nutshell: Instead of requiring you to place an initial order for 10 to 100 books, this innovative publisher provides the first copy of your book free of charge and then prints-on-demand and ships when they receive subsequent orders from you and your customers. This website featured in the resource box below is well worth a visit especially if you are still struggling to get your first book into print. You could have your own personal library up and running in next to no time.

Jim Green is an online enthusiast and bestselling author with an ever-growing string of niche non-fiction hard copy titles to his credit. http://howtoproducts-xl.com

Top 5 Shenanigans of 5 Print-on-Demand Publishers
5) Cosmetic corporate connections

Publisher B has a new corporate overlord in Amazon, but offers no carriage with Ingram, which means no order availability through many bookstores nor major website listings with competitors Barnes & Noble.com, Powells.com, Bamm.com, etc.

Hint: Find a publisher that offers wholesale distribution through Ingram (which includes listings on Amazon, too). Publishing is already competitive enough; your distribution channels shouldn't be.

4) Disavowing any knowledge

Publisher P calls itself a traditional publisher, even though it uses the same on-demand technology as other PODs. They require an exclusive 7 year contract (twice as long as most traditional agreements) and absorb all your rights before you discover the truth.

Publisher L doesn't call itself a publisher at all, but rather a conduit toward publication. It even features a picture of a machine "publishing" your book for you. Do you want a hot-water heater handling your pride and joy?

Hint: Sign a non-exclusive contract that you can cancel in 30 days written notice and pick a publisher that uses real live human beings to format your book.

3) “Free� on-demand publication

Free things require no commitment, which is a harsh finale for a book you labored to write. We have heard of authors who "published for free" and then the author forgot who published their book! As Vince Lombardi says, “The quality of a person's life is in direct proportion to their commitment to excellence, regardless of their chosen field of endeavor.� Getting what you pay for was never more appropriate, as authors of free services can attest.

Hint: You get out of something what you put into it; choose your publisher accordingly.

2.5) "Free" publishing that isn't actually free

I have to slip in this bonus shenanigan. Publisher T claims they will publish your book for free, yet require a $3,985 investment from the author. Last time I checked, that wasn't free. Their justification? They reimburse the payment to you once your book sells its 5000th copy.

Hint: Ask them the percentage of times they actually reimburse their authors. Ask for the titles of the books and author's names. Then get the contact informaton for every one of those authors and confirm it.

2) Traditional publisher affiliations

Traditional publishers make the lions share of profits because they take a gamble on every author. Publisher U has executives from the traditional publishing industry; which means they know how to take an author's money up-front AND in the long run on the back-end.

Hint: If you pay to be published, make sure you make a higher royalty than a traditional publisher pays. And make sure you don't confuse "20% net profit" with a "20% retail royalty".

1) Charging to be profitable

In this competitive publishing environment, publishing is hard enough without having your publisher charging you for things that should be free. Publisher X recently introduced an option for $249 that lets you set your own retail price. And when you see this bar graph comparison, you will understand why: http://outskirtspress.com/marketing/case-owp.gif

Hint: Having pricing flexibility is certainly better than not having it, but you shouldn't have to pay for it.

Learn more about publishing your own book with a free e-book at <a href="http://outskirtspress.com">www.outskirtspress.com</a>. Brent Sampson is the President & CEO of Outskirts Press and the award-winning author of "Self-Publishing Simplified". A free ebook edition is available at <a href="http://outskirtspress.com/publishing">http://outskirtspress.com/publishing</a>.