Self Publishing Children

Successful Self Publishing-February 2007
Successful Self-Publishing
Issue 2: February, 2007


Inside this issue:
How to get your book into stores.
Pitching your book to retail bookstores and chains can be a time consuming and frustrating process. In this issue, we help prepare you for increased chances of success. Read more.

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How to get your Book into Stores

Getting your book successfully onto the shelves of a bookstore is easier said than done. Major bookstore chains are notoriously difficult to win over. Even smaller bookstores, where your chances of reaching the person with the purchase authority are more likely â€" are still very choosy and cautious. Especially when presented with new books from unknown authors.

Without the representation and backing of a major publishing house, you will be entirely responsible for every aspect of this process. Promoting your book to stores is not complicated. But it can be a long and disheartening process that requires persistence, staying power, determination, conviction and total
belief in the ‘great read’ quality of your work.


Identify your targets
The key to successfully selling into a bookstore is to start small. Identify and target smaller local bookstores and boutique stores specific to the topic of your book. Aim to saturate your entire local market place. Having a measure of regional success will also help in convincing larger chain stores that your book is a worthwhile commercial product, suitable for a national and even an international marketplace.


Develop and prepare your pitch
Initiating contact and approaching bookstore buyers in the right way is essential. Sending an initial ‘sales package’ followed up by a polite phone call, is probably the most effective platform for getting your foot in the proverbial door. The package should be based on a carefully developed sales letter, accompanied by a complimentary copy of your book.

By sending a package through the post, you are allowing the bookstore buyer time to absorb and consider your book and proposal. When you call a week later, you are then ‘warm calling’ rather than cold calling â€" as they have already had initial contact from you. They are a lot more likely to be receptive and interested. Getting your sales letter right is vital. Keep it at two pages maximum, and ensure it contains all the following core points:

* Introduction: introduce yourself and your book, and state that your reason for contact is to enquire as to their potential interest in purchasing your book
for stock.
* Book summary: a short (one paragraph) summary of the core plot of the book
* Book commercial impact: state who would want to read your book (target audience) and why (USP)
* Your credibility: clarify any background and experience you have in writing, or your specific experience and authority in the subject matter.
* Pricing proposal: put forward your proposal for the retail price of the book, and bookstore commission or preference for outright purchase.
* Business development: state that you are engaging in a comprehensive marketing programme for promotion of the book, and that the marketing plan is available for them to review.
* Guarantee: state that you will offer a full refund for books purchased outright, that do not sell within a specified timeframe (8-10 weeks)

Know what the bookstores want
Referencing to your marketing plan within the sales letter is important. It indicates your proactive and professional business approach to the sale of your book. Bookstores will want to know what you are actively doing to promote your book. They do not like to sit on dead inventory. If they feel confident that any books they buy from you can be promoted and sold through marketing and promotional activity directly driven by you â€" they are more likely to purchase.

Create strong relationships
The founding principle behind successfully selling anything is by establishing genuine and positive human connections. Taking the time to initiate and
cultivate lasting relationships with bookstore owners and buyers will dramatically increase your chances of getting your book on their shelves.

Even if initially, they feel your work is not right, by presenting yourself as a professional and credible author and self publisher â€" they are significantly more likely to be open to being pitched on any subsequent projects you may develop. Even if they do say no the first time, keep the relationship open and positive. Send a short follow-up email or letter thanking them for their time regardless. It could pay dividends in the future.

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This article has been written by Terence Tam, CEO of Book Pal, a self publishing and book printing company based in Brisbane, Australia. Terence is a self publisher himself and is a keen supporter of experienced and budding self publishers. He also specialises in print on demand books. Terence can be contacted at terence@bookpal.com.au . Also, please visit http://www.bookpal.com.au

Powerful Book Pricing Tips for Authors
First let's provide definitions for the 4 terms covered in this article: Retail margin is the difference between your book’s wholesale price and your book’s retail price. For example, a book with a cover price of $10 and a wholesale price of $5 has a 50% retail margin. This is the profit enjoyed by the retailer. Wholesale price is the cost of your book to a retailer. To use the same rudimentary example, a book with a cover price of $10 and a retail margin of 50% will be sold to a retailer for $5 wholesale price. Retail price is the same as cover price or selling price or list price. This is the cost of the book to the end consumer (the reader). The retail price is typically printed on the cover of the book and also “embedded� within the barcode on the back. For example, a book with a wholesale price of $5 and a retail margin of 50% will have a retail price of $10. Trade discount is the percentage off the retail price that a wholesaler (not a retailer) pays for your book. Since the retail margin is always a portion of the trade discount, the trade discount always exceeds the retail margin. Distributors typically expect between 50% - 70% in order to provide an acceptable margin to the retailer. A book with a retail price of $10 and a retail margin of 50% might have a trade discount of 60%, and therefore the wholesale price is $5 and the trade discounted price is $4. Confused yet? Don't be. Understanding book math is what separates successful authors from unsuccessful ones. As you can see, retail margin, wholesale price, the trade discount, and retail price are interconnected. MAKING DISTRIBUTION WORK FOR YOU The higher your trade discount, the greater your level of distribution. Think about it - distributors want to make money, too. While your book's trade discount is but a piece of your pie (albeit a big piece), it is the entire cake for distributors and retailers, who together must split the take. The greater the trade discount, the larger their piece of the pie, and the greater incentive they have to distribute your book, sell your book, and market your book, etc. The proper trade discount depends upon the author's goals, and can vary from author to author just as readily as from book to book. Typically, the higher the retail margin, the higher the cover price, so authors interested in maintaining the lowest cover price possible will often opt for a lower retail margin. This may be okay, and even preferred, if the book's largest market is through on-line sales. Conversely, those authors who long for the best distribution possible will elect a higher trade discount, even though their cover price will increase accordingly (or their profit will decrease accordingly). Non-fiction or niche-markets are less affected by higher retail prices. Additionally, greater distribution is often advantageous in finding those niche markets. Suffice it to say, a non-fiction book can almost always sustain a higher trade discount than a fiction book. Trade discounts can be as low as 20% to successfully get listed on Internet retailers like Amazon.com, who manage to make a profit with such low margins through EDI (electronic data interface) with distributors like Ingram and on-demand publishers like Outskirts Press. By comparison, trade discounts can be as high as 75% - 80% when dealing with a niche wholesaler, or when attempting distribution for a book that does not have a proven market. In these cases, the distributor may be padding the coffers a bit in anticipation for a "harder sell" and perhaps, also, in preparation for offering an increased retail margin to close the deal. INDUSTRY STANDARDS Industry standards for retail margins are difficult to define because, ultimately, it comes down to negotiation between all parties involved. Publishers have the power to negotiate with distributors, who have the power to negotiate with retailers, who have the ability to negotiate with the reader, but the typical trade discount is around 55%, which allows for a typical retail margin of 40%. Publishing-on-demand is removing some of the participants in this little dance, and as a result, the same piece of pie is being divided among fewer people, resulting in more money for the remaining players (especially the author). This is particularly true if the author is going after online sales exclusively, which allows the author to set a much lower trade discount with little to no repercussions when publishing via a flexible on-demand publisher such as Outskirts Press, who lets authors set their own pricing. Now you have the flexibility to do it and the knowledge to do it right.

Brent Sampson is the President & CEO of Outskirts Press at <a href="http://www.outskirtspress.com">www.outskirtspress.com</a>, where the future of publishing is here, today. He is the award-winning author of "Publishing Gems: Insider Information for the Self-Publishing Writer" and "Self-Publishing Simplified" which is available on Amazon for an unbelievably low $5.95 or for free in e-book form at <a href="http://outskirtspress.com/publishing">outskirtspress.com/publishing</a>

Publishing Success Steps
Even if your best friend owns a top publishing company, giving you an immediate "in," this does not guarantee publishing success. First, you have to write a quality book that has a clear target audience. And your book must answer a common problem or need that audience shares. Then you have to develop a marketing plan, and stick to it for at least two years. Let's begin with the process that should commence before you write your first word. Begin by reading A LOT. Read both books you passionately love and books you can't seem to make it past page five. Then figure out what the author did in the book you loved, and what was wrong with in the book you couldn't finish. Write down these points so they are crystal clear to you. Read other people's books for inspiration and to discover what you should avoid as a writer. The next step is to plan out your book. Narrow down your subject, and then divide it into chapters. Each chapter should address a specific aspect of the problem your book is going to solve. In each chapter, break the specific aspect down into several parts. This will help your readers take in your information a bit at a time instead of overwhelming them with every bit of information clogging up the pages until they feel like they're about to go blind. It's not quite spoon-feeding the information to your readers, but it's close. The next two steps are obvious. Write your book and then revise it. And then revise it again. And perhaps again. Of course, writing is extremely hard, and writing a book can seem like an impossible task. There are many books out there that give you guidelines to help you become familiar - and even love - the process of writing and revision. Find a number of books about writing. Better yet, find a number of books about writing the specific type of book you aspire to write. These can serve as roadmaps on your writing journey. Once you've written your ebook and revised it at least twice, show it to someone else whose opinion you respect. If you're lucky enough to know a good editor, see if you have something to barter for him or her to go through your manuscript. Or join a writing group and let the other members critique your work. Then take all these ideas from other people, and revise your manuscript one last time. And then stop! Put down that pen! Get your hands off the keyboard! One of the most important steps to actually producing a book is to know when to stop writing and tinkering with it. You've finally written your ebook! Pop open the bubbly! Give yourself a night out on the town! Okay, now that this necessary celebration is out of your system, what do you do next? How to turn your ebook into Profits Ebooks are a revolutionary way to publish your book without incurring the costs of print production. All you need is a relevant and targeted subject and some inexpensive software, and you can transform your manuscript into a book. The problem, in terms of actually seeing any profits from your ebook, is that the market is overwhelmed with ebooks, and many of them are not worth the time it takes to download them. Just because the ability exists to easily produce an ebook, doesn't make it good writing. Make sure your book does not simply rehash old material. You will injure your credibility as an author by claiming to offer valuable new insights and disappointing your audience with material they've read a zillion times before. So spend enough time writing and revising your book to make sure it's of the highest quality and presents the most current information. A good book will eventually sell itself; false claims about your book will make it extremely difficult to sell any future books you may write. Assuming you have determined that you do indeed have a quality product that answers some question or need of your target audience with NEW information, how do you know how much to charge for it? Rule number 1: Set a price for your book equal to its value. An under-priced book will only give the impression that your book isn't worth very much. To figure out a fair price, estimate how much time you put into creating it and how difficult it was to transform the necessary information into understandable and engaging writing. Figure out how much your time and effort is worth, and then price it accordingly. The goal is for you to be adequately compensated for your talent, your time, and your effort. Once you've figured out a price that is high enough to convey the value of the book, but not so high as to be out of the reach of your target audience's mean budget, then it's time to offer it for sale on your website. To attract sales, you will need to develop a promotional campaign, particularly if you are an unknown author. There are multitudes of books about self-promotion that will guide you in your efforts. Choose a plan that is both creative and professional. Learn how to write a catchy yet informative press release, and send copies of your ebook to sites that specialize in ebook reviews. Learn how to write powerful sales copy, or hire someone to write it for you. This is an essential. You absolutely need excellent sales copy to sell your book. Make sure the copy includes all the reasons your target audience needs your book, and the benefits they will derive from buying it. Use graphics in your promotional materials. Beautiful graphics have the power to instantly convey the quality and value of your ebook. Graphics can also convey the amount of valuable information the book contains, and your careful attention to detail. Professional graphics sell professional books. They reassure the customer that the product is what it claims to be. Consider excerpting chapters for articles. You can offer these tidbits for free on your website as a sort of demo of your book. Include an order form for your ebook at the end of the excerpted articles. Finally, when you set-up your download link, make sure to simplify the process. It's a good idea to offer a few bonuses that make your book even more enticing to purchase, but make sure the bonuses are valuable and high quality. Too many bonuses that are basically a load of useless stuff will compromise the impression your audience has of your ebook. The goal is to convey to your audience that they are getting a quality product for a good deal. That means applying restraint, especially when it comes to adding bonus items. Too much free stuff offered diminishes your credibility. Make sure your book is a quality product. Make sure it is relevant and current. Develop an effective marketing plan that includes excellent sales copy and excerpted articles. Then offer your book for sale, and wait for your audience to discover you!

I am the owner of E-Books Download , I sell ebooks and software and templates and lots of digital downloads.... http://www.e-booksdownload.com

How to Break into Print Publishing
How To Break Into Print Publishing
Copyright 2005, Michael LaRocca


The big question. Do you submit directly to the publishers, or do
you find an agent who will do that for you? Based on anecdotal
evidence I've heard, it can work either way. The bottom line is,
if a publisher reads what he can sell, he'll buy it. It doesn't
matter if it comes from an author or an agent. The trick is
getting him to read it. That's always your focus.

Some people swear by agents because they're the ones who will get
you larger percentages and advances. I've decided I don't care
quite so much about that. In the case of a new author, I
sincerely doubt that'll happen anyway. I'd hate to lose my first
sale because some greedy agent asked for too much money. Not that
I believe that'll happen either.

There are also those who swear by agents because many publishers
won't look at an "unsolicited manuscript." That's true enough.
They ain't got time. They're using agents as a preliminary
screening process.

Someone recommended that once you've selected some potential
publishers, phone each one and ask how they would like to be
approached. Ask whom specifically you should address your work
to. Then you can honestly call it a "solicited manuscript."
(Always be honest in your correspondence.)

If this doesn't work, because you can't call or the secretary
refuses to cooperate and tells you things like "we only accept
material from reputable literary agents," then mail your query
letter, bio, synopsis, and sample chapter(s). They can only say
no, or they can say your query looks interesting and they want to
see the rest of the manuscript.

If you hook a publisher this way, odds are the publisher will
like for you to have an agent. So this is when you call one,
after you've hooked the publisher. The agent gets 15% for doing
practically nothing, so he'll take the job. The publisher will
become more interested when your agent phones saying he's (or
she's) looking after your interests in this matter.

The most important step is to get your presentation looking as
professional as possible. No mistakes. None. Zero. Nada. The vast
majority of rejections aren't because the story is bad, but
because the Acquisitions Editor concludes that it'll be too much
work to make it "ready to read." With new authors, publishers
usually lose money. Advertising, print inventory... don't ask
them to invest a great deal of editing time as well. They won't
do it. It's just that simple.

** THE SELECTION PROCESS **

The most important part of getting your error-free manuscript
published is choosing the right market. The best way to do this
is to read books that are aimed at the same target audience as
your own. If you want to approach publishers directly, look at
who published those books. Preferably one who publishes lots of
books in that genre, not just one or two authors. Their marketing
machine is already positioned to announce your manuscript to your
target audience, and they want more books of the type that you
write. They are your best bet.

(HOWEVER, keep in mind that you don't want to be exactly like those
authors. Then you're competition. You want to target the same
readers but with something different than those currently targeting
them. Does that make sense? No? Then we understand each other.)

Some authors thank their editors. If you're going straight to the
publishers, note the editors' names and use those, preferably
after a phone call to ensure the editor still works there. If you
can, just phone the publisher and tell whoever answers the phone
something like "I'm writing a letter to so-and-so, and I want to
be sure I'm spelling the name correctly."

If you want to approach an agent first, look in the
acknowledgements sections of those books. Some authors thank
their agents. Look up those agents and start with them. Tell them
how you found them. This might impress them by making you seem
professional, or it might not, but it can't hurt. You know they've
got a track record in your genre. They know how to sell to
publishers who are aimed at your target audience, so let them do
it.

http://www.allaboutliteraryagents.com/articlep1003.html offers
some additional advice on selecting an agent.

Whichever method you use, go in fully prepared. Meaning, work
through all the steps below before you submit anything.

** OVERVIEW **

Your aim is to convince someone who not only does not know you,
but does not want to know you, and has read too many bad books,
that your book is different. For this you need a cover letter,
bio, synopsis, and sample chapter(s) of such sublime wit, wisdom
and genius that even the most jaded and cynical editor can take
pleasure in it.

Take your time. Don't just whip up something in a day and send it
out. You're probably looking at a one or two year gap between
acceptance and publication. So in the grand scheme of things,
taking the time to make your presentation really shine won't
matter. EXCEPT, that it'll ensure you get published in the first
place.

Every publisher has "writer guidelines." Get them. Read them.
Follow them. They're using the process of elimination to get out
of reading these submissions. The first step in that process is
to bump off everyone who can't follow the guidelines. Don't be
one of them.

** PREPARING YOUR QUERY LETTER **

This will be the first impression they get of you. Make it a good
one! Edit that letter as hard as you would a manuscript, and make
it perfect. Make it good writing. Sum up your book in such a way
as to make the recipient of the letter say, "Wow, I want to read
this."

The first page of your book, along with the jacket text, are what
usually determine whether a browser buys your book or puts it
back on the shelf. As you write your query letter, think of what
you'd put on that book jacket, and work that concept into your
letter.

Never address your query letter To Whom It May Concern, Dear
Editor, or any of that. Get a name. When you find the books that
you really like, and are searching them for potential publishers,
call those publishers. Ask who edited those books. If you want to
approach the publishers directly, write to those editors.

You can find advice on writing your query letters etc. at:

www.adlerbooks.com/
www.allaboutliteraryagents.com/article1002.html
www.fearlessbooks.com/PublishingGuide.html
www.suite101.com/welcome.cfm/writing_marketing_fiction
www.wga.org/craft/queryletter.html
www.writergazette.com/articles/article299.shtml
www.writing-world.com/query/query.html

The "query letter clinic" in the 2001 WRITERS MARKET is well
worth reading. If you're not going to buy the book, go to the
library and read that section of it.

(I don't know if it's in subsequent editions, since I live in
China, but I hope it is.)

With a simple bit of good writing, and we all know you can do
that since you've already written and polished your manuscript,
you'll make it past this first hurdle. The editor reads your
letter, sees nothing in it to stop him from continuing, and has
no choice.

What would stop him? Typos. Grammar. Spelling. Boredom. Or
anything that says "I write so much better than Stephen King that
he's not fit to hold my jock strap. Buy my book and we'll both
get rich."

** WRITING YOUR BIO **

Don't lie. That's the first rule. The second rule is, don't
forget any writing credits. List everything relevant you've got.
Publications in decent magazines or newspapers. Credits in TV,
films, theaters. Any literary prize you've managed to get in
adulthood. The fact that you're a Professor of English or an
editor on a sports journal.

If you have no literary background, no education, or no
respectable publications, but you spent fifteen years in solitary
confinement in a Siberian Work Camp, that might indicate that you
have a story to tell. But if you're writing about cuddly koalas
to entertain the under-five crowd, this piece of information may
be more than anyone needs to know.

You can list your credits either chronologically or from most
impressive to least impressive. Just whichever puts you in the
best light. You want to look like you're already a successful
author. You don't want to sound arrogant, but you do want to
sound confident. Keep it to a single page. You don't want to
waste anybody's time. They don't have enough. (Who does?)

If your bio is so bare of details that it's more of a liability
than an asset, forget about it. Maybe your "bio" equals only a
sentence or two, in which case you can work it into your query
letter instead of a separate document.

Your goal, remember, is to get that editor to read your synopsis
or manuscript. To judge it on its own merits. If he reads your
writing and rejects it, you gave it your best shot. Try a few
more, and if they all reject it, then think about improving your
writing. But you don't want that editor to stop reading your
submission before he gets to your writing. So, take the time to
do the query letter and bio correctly.

** WRITING YOUR SYNOPSIS **

To quote one agent, "There is no such thing as a good synopsis."
And how can there be? How do you sum up 50,000 or 100,000 words
in a page or two? I'll tell you how I do it. Very badly.

Having said that, this is your first chance to show the publisher
that you can write. Some publishers want a minimal amount of
information on first contact (query letter, bio, synopsis).
Others want to see the first chapter or two as well. Nobody wants
to see the whole manuscript at first, except those who say so in
their writers' guidelines. If you include sample chapters, the
chance of them being read depends largely on the quality of your
query letter and synopsis.

Keep your synopsis short, two pages maximum unless the writers'
guidelines say differently. Shorter is better. Pick out the theme
and the strengths of your book and, in as clever a fashion as
possible, relay these qualities in a brief chronology. The
chronology is less important than the theme because, in truth,
your only hope with a synopsis is that your theme or concept will
strike a chord with the editor or agent reading it.

If your story is funny, your synopsis should be funny. If it's a
romantic story, then your synopsis should be a romantic synopsis.
You're a writer, and here's where you can be creative.

A lot of the great works of literature do not have easily defined
stories, just fine writing and good characters. If you have no
story, then you have to sell your idea. The synopsis must have
fine, clear writing. Say how your book starts, how it ends, and
what's interesting in the middle. This isn't the time for cliffhangers.

Your sample chapter should do the main talking, but your synopsis
should offer up those clever memorable sound bites that will
linger in the editor's mind and convince him to read the sample
chapter.

** PREPARING YOUR MANUSCRIPT **

Did I mention that your manuscript must be flawless? I'll mention
it again. Your manuscript must be flawless. Especially be sure
that the first chapters, the "hook" which you will submit, will
be the type that grabs the reader and makes him/her/it wonder
what happens next.

Beyond that, some mechanics:

If the publisher you're submitting to lists all this information
in its guidelines, you're in luck. Do what they say and they'll
read your manuscript. Fail to do so and they'll set it down
unread, even if you're the next John Grisham.

Remember, they're budgeting their time and trying to get out of
reading this stuff. Once they read it, they'll be fair. (If not,
you don't want them.) If it's good solid writing, you're in. But
until they get to the writing, they expect the worst. If you'd
seen some of the crap that comes their way, you'd be just as
pessimistic. But in the end they do love good writing or else
they'd quit that job.

If the guidelines don't tell you how to prepare the manuscript,
consider the information below as a "generic template."
Otherwise, ignore my guidelines and use theirs.

Fonts - UK publishers prefer Courier New 10pt, US publishers
prefer Times New Roman 12pt. Both are trying to ease their
eyestrain, so don't be fancy.

Paper sizes - This one's easy. Letter (8 1/2" by 11") in the US,
A4 in the rest of the world.

Binding - US publishers prefer none at all. UK publishers prefer
that you punch two holes in the side and use simple brass
fasteners to hold it all together -- ugly but effective.

Use one type of paper throughout your presentation, preferably
plain white. (If you have personal stationery that's not too
funky, you can use that for your query letter.)

The title need not appear on the beginning of every chapter, but
it's a good idea to put it on each page, along with your name and
the page number, in case the manuscript is separated or mislaid
at the publisher's.

Double-spaced text, unjustified right margins, one-inch margins
all around. Include a stamped, self-addressed envelope (or self
addressed envelope with IRCs) of the appropriate size if you want
your manuscript back.

Package it so it's easy to open but not all wrinkled and nasty
when it arrives at your publisher's office. No folded manuscripts
hastily stuffed into a manila envelope. No envelopes that scatter
hundreds of little brown paper shavings all over the desk.
They're opening far too many of these things, and anything that
looks "amateur" gets bumped unread.

** PUBLISHER LIST **

http://www.chinarice.org/howtogetpublished.html contains the
websites of almost 100 publishers. I recommend visiting this after
you've gone through the selection process, from books you read
and/or from a book such as WRITERS MARKET.

** AGENT LIST **

Here's some advice from the Agent Research and Evaluation
website. They define an agent as:

"...someone who makes a living selling real books to real
publishers. No one representing himself as an agent should also
claim to be a book doctor, an editor-for-hire, a book
'consultant' of any kind. They shouldn't charge any type of
'upfront' reading fee, marketing fee, evaluation fee or any other
fee apart from a commission on work sold.

"With the possible exception of certain MINIMAL office expenses,
legitimate agents NEVER handle [the expenses connected with
submitting manuscripts] as an upfront cost. Only as a billable
expense after being shown to have been incurred.

"Remember, real agents live off the commissions they make from
selling their clients' projects. Scammers live off up-front fees
for unnecessary, inadequate, or non-existent services."

This is excellent advice. Anyone can call himself an agent, get
himself listed somewhere, and tell every author who sends him a
manuscript "This is excellent. Send me some money and I'll sell
it." Then he can pocket the author's money and do absolutely
nothing.

Agents work for a percentage of your sales. It's usually 10%-20%.
An agent's source of income must be the books he sells. If the
author pays him before he closes a sale, where is his incentive
to close the sale?

Insist that your agent send you copies of all rejection letters.
A great agent should offer this without you asking, and those
rejection letters shouldn't all be undated "Dear author" or "Dear
agent" letters that don't mention you or your agent or your
manuscript by name.

Your agent should also involve you in the selection process
without you asking, even if that just means telling you "I'm
sending to this, that, and the other place." Don't let him/her
send your gothic romance to a children's publisher, etc.

If your agent is sending your stuff to the right places and it's
still getting rejected, you've done all you can do, except write
better.

http://www.chinarice.org/howtogetpublished.html contains my
resources for finding an agent in the US or the UK. If you've
been reading my other advice, you're already talking to other
authors. If you know one who's made it into print, especially
one who writes in your genre, ask which agent (and which
publisher and editor) he or she used.

** WARNINGS **

Once you have narrowed down your list of prospects, visit the
following sites to learn about the latest scams and such:

Bewares Board
http://www.absolutewrite.com/forum/index.html

Editor Report
http://www.geocities.com/editorreport/

National Writers Union
http://www.nwu.org/nwuhome.htm
Be sure to look at "Writer Alerts"

Preditors and Editors
http://www.anotherealm.com/prededitors

Writer Beware
http://www.sfwa.org/Beware/

Michael LaRocca's website at http://www.chinarice.org was chosen by WRITER'S DIGEST as one of The 101 Best Websites For Writers in 2001 and 2002. His response was to throw it out and start over again because he's insane. He teaches English at a university in Hangzhou, Zhejiang Province, China, and publishes the free weekly newsletter WHO MOVED MY RICE?

How To Sell Your Books On Radio
In October 2004 when my book “Your Retirement Masterplanâ€� (How To Books ISBN 1857039874) was published I participated in eleven 15-minute live interviews on local radio over a period of just five days. The results were highly encouraging; the book leapt from nowhere on Amazon.co.uk to position 194 out of 3123 competing titles and eventually grabbed the No.1 spot for its core keyword (retirement) where it remained for nine months. I am shortly to repeat the broadcast exercise for my newly published tome "How to Earn Money in Retirement" (How To Books ISBN 1845281128) but before doing so I am already off to a head start… Although this title does not hit the bookstores until Monday 8 May 2006 it already ranks at No.47 out of 3453 competing titles on Amazon.co.uk â€" which means of course that the book is already selling in big numbers online â€" thanks largely to the success of its predecessor and the initial boost it got from radio promotion. These promotional interviews are arranged by my publisher’s media consultancy and I do not require to visit a single studio to take part; they are all conducted over the telephone, sitting at my desk at home. So what if you self-publish your output and you don’t have a publicist to arrange radio interviews? Does that mean you are excluded? No way; I have self-published several books in the past and managed my own promotion. Wherever you live in the world you’ll find that the majority of local radio stations are banded together into a single network for cost-effectiveness. Here is what you do… 1. Identify the controlling network; 2. Visit the corporate website containing links to all subsidiaries; 3. Pick out those stations within a 500/1000 mile orbit; 4. Visit each local station website individually; 5. Scan the daily programming schedules; 6. Highlight those programs that might identify with the topic of your book; 7. Note the presenter’s name; 8. Email him/her with a well-couched request for a live interview; 9. Follow that up with an identical snail mail request; 10. Follow that up with a telephone call (you’ll get to speak to someone in authority). You know your topic inside out; speak up with confidence and you’ll get your interview; maybe not straightaway but, if you sell yourself and your project professionally, you’ll be logged into and up-and-coming slot in the station scheduling. Go for it…it’s free! I will be reporting in a subsequent article on the outcome of my latest batch of broadcasts. In truth though there is more to creating bestselling books than spieling about them on radio and if you’d like to learn how I manage to produce bestsellers consistently, visit the website featured in the resource box below. Jim Green is a bestselling author with an ever-growing string of niche non-fiction titles to his credit. http://1st-creative-writing-course.com

Jim Green is an online enthusiast and bestselling author with an ever-growing string of niche non-fiction hard copy titles to his credit. http://1st-creative-writing-course.com

One Author’s Solution For Publishing Creative Writing Output
It has never been easy to have your creative writing output accepted by traditional publishing houses. Witness these famous masters of fiction who were all obliged to take the route of shelling out hard cash to have their debut novels printed. Alexandre Dumas D.H. Lawrence Edgar Allan Poe Edgar Rice Burroughs George Bernard Shaw Gertrude Stein James Joyce John Grisham Mark Twain Mary Baker Eddy Rudyard Kipling Stephen Crane Upton Sinclair Virginia Woolf Walt Whitman William Blake Zane Grey John Grisham, incidentally, sold copies of his first novel “A Time to Killâ€� out of the boot of a car which at the outset was his sole 'vehicle' for distribution… And it is getting tougher all the time â€" even for established authors. It can be doubly frustrating when you’ve written something that you are desperate to see in print; something you want other people to read. There is always recourse to the expensive vanity publishing houses but I wouldn’t take that route come what may. Would you? Imagine my surprise then when I stumbled across the perfect solution for publishing creative output that you cannot place elsewhere. I have a string of traditionally published titles currently selling in bookstores world wide but I have an almost equal string that I have never been able to get into print. That is until now… The little known but highly reputable POD (print on demand) source I have discovered requires an initial membership fee that covers UNLIMITED titles â€" perfect bound with ISBN and free shipping to customers In a nutshell: Instead of requiring you to place an initial order for 10 to 100 books, this innovative publisher provides the first copy of your book free of charge and then prints-on-demand and ships when they receive subsequent orders from you and your customers. This website featured in the resource box below is well worth a visit especially if you are still struggling to get your first book into print. You could have your own personal library up and running in next to no time.

Jim Green is an online enthusiast and bestselling author with an ever-growing string of niche non-fiction hard copy titles to his credit. http://howtoproducts-xl.com

The Perils And Pitfalls Of Publishing: Who Can An Author Trust?
One out of every eight people call themselves a writer, which means there are roughly 24 million people in the United States who carry that banner. Unfortunately there are charlatans and scam artists just waiting to ambush the unsuspecting author. How can a novice writer protect themselves?

Anyone can call themselves a publisher. Always remember money flows towards the author from the publisher, not the other way round.

What to look out for:

Charges the author a fee up front, to have their book accepted, considered or read. These fees are sometimes called a reading fee, intake fee or administrative fee.

Directs authors toward specific editing services or gives authors� names to these services, with the caveat that if the author hires the editing service, their book will be published. Every book needs editing. It is part of the publisher�s job to provide that editing at no cost.

Offers a contract where the author has to pay for part of the publishing costs. The acquisition editor will sometimes say that the publisher�s list is full for that season, but the author�s book has so much going for it, they would still like to publish it. However the publisher�s resources are fully committed and the author will have to share in the costs.

Some publishers offer contracts that are unfair, such as they obtain rights that should remain with the author of the work.

Some publishers� contracts contain a clause that if the author says anything negative about the publisher, there is a monetary fine.

There are also publishers who hold the rights for a lengthy time period, regardless of whether the book is still in print or selling.

The publisher doesn�t disclose they are a Publish on Demand (POD), or vanity/subsidy publisher. There is nothing wrong with an author using a subsidy/vanity publishing company as long as the author is well aware of the disadvantages. Publish on Demand books are not, as a rule, stocked by bookstores.

Some POD publishers will insist that their books are available in book stores, as a way to get around this issue. Available is not the same thing as stocked. Available only means the book can be ordered through the bookstore. Since the majority of books sold, are stocked and sold by bookstores, this situation puts a damper on sales.

What else can a writer do to check if a publisher is legitimate?

Go to the local bookstore and see if any of the publisher�s titles are stocked. Ask the manager if necessary.

Search the Internet using the publisher�s name plus the word �scam� or �complaint.�

A publisher�s website is targeted to its customers. If the website promotes the books they�ve published that�s a good sign.

If the website is focused on recruiting writers, that�s a bad sign.

Go to forums or bulletin boards that are for writers and see what the authors who have published with the publisher you�re considering have to say about their experience.

Dee Power and Brian Hill, <a href="http://www.BrianHillAndDeePower.com" title="http://www.BrianHillAndDeePower.com" target="_blank">http://www.BrianHillAndDeePower.com</a>, are the authors of "The Making of a Bestseller: Success Stories from Authors and the Editors, Agents, and Booksellers Behind Them." Their latest novel, "Over Time," is a financial thriller: A story of lost loves, found glory, and business treachery. <a href="http://www.OverTimeTheNovel.com" title="http://www.OverTimeTheNovel.com" target="_blank">http://www.OverTimeTheNovel.com</a>

Digital Poster Printing for Growing Business
With the modern complexities of life now days, it is but important to be abreast with the latest and the more effective ways of advertising and promoting your services and products to let your business grow and be wide known popular. That is why poster digital printing is recommended for a sure win advertisement for your growing business. It can be noticed that in poster digital printing the pictures, images and illustrations are clearer and sharper because of the modern way of doing it. Even the smallest detail in the poster could be understood by its viewer. Large format printing from your digital files, photo enlargement from your own slides and negatives are just some of our latest innovation to attain that effectual poster digital printing for your growing business. Poster digital printing is recommended for growing business that wants to be more known by its target customers, for their digital poster will already build good impression for their company. For the demand in continuous innovation of poster digital printing, commercial printing companies specially those that specialize in poster printing made sure that they are powered by creative team and skillful workers that conceptualizes and prints the digital posters for your growing business. Here are some of the choices in poster digital printing that you can choose from to have your goal attained for your growing business. We are offering pigment based inks for large format printing and glossy paper for heavy weight materials. Since it is not good to look at it on a matte paper for the density of black ink on it is not very high. Also, dye based inks for large printing is recommended for prints will be clearer and sharper with the use of glossy paper again. That is why if you want to have the advantages in poster printing, then it is the right time for you to try on poster digital printing afterwards access its results in your growing business. Our poster digital printing has an improved resolution that would impress your target clients and eventually would stop at your business. After all, that is the primary purpose of your poster to attract customers for your business to grow even more. It is true that poster digital printing costs a bit higher than the conventional posters that we have yet are we going to sacrifice the good quality that would ultimately draw-in customers for your growing business. More often quality really matters for it will be the first focus of the interested clients since just after the accepted invitation of the prospect clients would made their decision to go with the business or not. After all, if you will have poster digital printing it is guaranteed that your expenses will be given back to you by the customers that were hooked up and it can even be higher than that. Competitive price for your poster digital printing is what we’re offering and satisfaction guaranteed for your money spent will be regain.

With the modern complexities of life now days, it is but important to be abreast with the latest and the more effective ways of advertising and promoting your services and products to let your business grow and be wide known popular. That is why poster digital printing is recommended for a sure win advertisement for your growing business.

Casino Blogging â€" A Fast Free Way To Promote Casino Affiliate Programs
Open yourself up to the profitable world of casino affiliate programs with a blog account. Start to experience income just for writing messages. Anyone can do it, why not you? You do not need a lot of internet or computer experience to sign up as a casino affiliate or start a blog account. Both are free. It will cost you absolutely no money to try it. Why wait? Free casino affiliate and blog accounts are all over the internet. For casino affiliate programs you can click over to http://biglistofcasinos.com/webmasters.htm and for a free casino oriented blog click to http://www.biglistofcasinos.com/wp-login.php to begin. Other blogs may not allow links like this, but that casino blog certainly does. Just do not clog it up with a bunch of standard text. You are more likely to get results with messages in your own words. In a blog format, an informal conversational tone is best. Avoid the usual advertising hype and you will be much more likely to attract players. Do not think that you can just dump in a bunch of copied text. Your messages must be original. Otherwise, no one is going to read them and no search engine will likely bother with them. Be sure you include your casino text links in your message. If you are new to html, the blog format is a good place to start because it has that icon that looks like a “link of a chain�. Merely type in your text, highlight the text and then click the link icon. In the popup window you enter the casino code that you were given at the casino affiliate site. You need the http portion with your code, not the image portion with the banner. It is best to write about something that you are familiar with and enjoy. Besides giving you a good source of things to write about, you tone and enthusiasm will show through in your writing. That is the key to effective blogging. You do not need any special skills or talent to write a blog. Your writing does not have to perfectly grammatically correct. Of course, words like “dese� and “dem� will not suffice either. If you have never liked writing before, you may never have had the opportunity to write about something you enjoy. There is big difference between writing a book report and writing about casino gambling. The allure of gambling and the excitement it invokes, may be just the incentive you have needed. If you have ever been to a casino, or even want to visit one, you can write about that. Write anything you want about any casino, gambling, lottery or game that you want. You are the boss, so do what you want to do! There are bloggers out there that earn enough money to do it full time. There is no reason you can not be one of them. All you have to do is start.

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The importance of writing articles
If you want inbound links to your site one way to do this without paying is writing articles and post them in different sites that allow you to submit articles. Writing articles is one of the best ways to promote your web site. It is one of the best ways to build the relations, credibility and to help get people to know more about you and your area of expertise is to write articles. One advantage that you can get with writing articles is that if your article get submitted it is an automatic inbound link to your site without having to add a link on your site to them. People are always looking for good articles for their websites, blogs and newsletters. By submitting your articles and allowing others to publish them free of charge you begin to develop credentials in your field and essentially "brand" yourself through your name. Make sure you submit your article on the right category and also make sure you write the articles according to their terms. If you don't follow the terms then you won't have your article publish. It is through well written articles and keeping your visitor wanting to learn more that you will see more traffic on your Web site. More traffic means more profit for you. By having lots of articles on lots of web sites around the world, you automatically rank above average on search engines because of your link popularity. All those links in the resource box back to your site can make a big difference in search engine ranking. Need traffic? Write an article. Need sales? Write an article. Need Your Name branded? Write an article. Writing newsletter articles can do all of these and more. So start writing articles Now!

Ngullen Rivera ownes an <a href="http://thearticleoutlet.com">Article Directory</a> where you can submit articles and find more than 25,000 articles for your content site: http://www.thearticleoutlet.com